The other of these massive challenges is, of course, Madame Rose. Imelda Staunton was definitely the selling point of this production, and I was absolutely astounded by her performance. Although of course a strong singing voice is a necessity for such a role, I always find that it’s the women who are strongest in acting who make the most impact as Rose. Belting ‘Everything’s Coming up Roses’ with perfect vibrato may sound beautiful and impressive, but in my opinion it doesn’t have half the effect of Staunton’s startling intensity as she almost screams some of the lines, manhandling Louise and forcing her daughter - and herself - to believe that the unrealistic dreams she strives for will come true. Her performance caused a building sinister feeling as the piece progressed, making us pity not only the long-suffering Herbie (played by Peter Davison, who was surprisingly endearing) and Louise, but also Rose herself. Her portrayal of Rose’s ‘breakdown’ of sorts was reminiscent of Jane Horrocks as Sally Bowles in Cabaret (a version I highly recommend if you’re a musical theatre fan, and it’s available on youtube here!)

Other than a couple of slightly dodgy American accents (particularly from young Louise, which was surprising as Lara Wollington was a phenomenal and long-running Matilda) and some instances in which actors enunciated so much that their speech ceased to be believable, the production was a huge success and did not disappoint. It’s one of those shows that indubitably stands the test of time and I fell in love with it all over again after seeing this performance.

Luckily, it’s still available on BBC iPlayer and I suggest you check it out whilst it lasts here!

I hope I’ve convinced you to check it out – it will certainly entertain you!